Harold Pinter, Sound, Media, and Other Transmissions.
Pinter's use of language and visual imagery has been widely noted, but critics are reticent over his use of sound. Through a combination of theoretical and archival analysis, this essay examines Pinter's use of sound in selected plays in order to show that over the course of his career, Pinter's pre...
| Publicado en: | Historical Journal of Film, Radio & Television Vol. 40; no. 3; pp. 568 - 584 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Sep2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=145471196&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 145471196 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01439685 HFT jtl: Historical Journal of Film, Radio & Television issn: 01439685 maglogo: N pubinfo: dt: Sep2020 vid: 40 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 145471196 10.1080/01439685.2020.1778313 ppf: 568 ppct: 16 formats: fmt: @attributes: type: P size: 193KB tig: atl: Harold Pinter, Sound, Media, and Other Transmissions. aug: au: Hall, Ann C. su: Art Mass media Archival materials Political plays Filmstrips Pinter, Harold, 1930-2008 sug: subj: Art Mass media Archival materials Political plays Filmstrips Pinter, Harold, 1930-2008 ab: Pinter's use of language and visual imagery has been widely noted, but critics are reticent over his use of sound. Through a combination of theoretical and archival analysis, this essay examines Pinter's use of sound in selected plays in order to show that over the course of his career, Pinter's presentation of sound became more orchestrated and complex. In the early plays, characters' voices and silences were used to establish and highlight power relationships. In the later political plays, sound was also used to establish totalitarian regimes, but as a result of Pinter's work in other media such as film and television, as well as technological developments, sound also became a means of resistance, a resistance that we cannot choose but hear. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Historical Journal of Film, Radio & Television is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Historical Journal of Film, Radio & Television holder: Taylor & Francis Ltd dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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