Representaciones sonoras: masculinidades y música popular en la colección de John Alden Mason, 1914-1915.
This article analyzes the representations of masculinities in Puerto Rico using the collection of popular music compiled by John Alden Mason between 1914 and 1915. It proposes that while a considerable number of these songs were instruments of socialization and reaffirmation of a hegemonic masculini...
| Publicado en: | Centro Journal Vol. 32; no. 2; pp. 53 - 75 |
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| Formato: | Artículo |
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Centro de Estudios Puertorriquenos (Center for Puerto Rican Studies)
Summer2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=146328120&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 146328120 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 15386279 GWW jtl: Centro Journal issn: 15386279 maglogo: N pubinfo: dt: Summer2020 vid: 32 iid: 2 pid: 11026 pub: Centro de Estudios Puertorriquenos (Center for Puerto Rican Studies) artinfo: ui: 146328120 ppf: 53 ppct: 22 formats: fmt: @attributes: type: P size: 764KB tig: atl: Representaciones sonoras: masculinidades y música popular en la colección de John Alden Mason, 1914-1915. aug: au: VARGAS, HUGO RENÉ VIERA affil: Ph.D. in Latin American History from Indiana University and currently is an Assistant Professor of Caribbean and Latin American Studies and Music at New College of Florida su: Popular music Puerto Rican history Music history Socialization Music & society sug: subj: Popular music Puerto Rican history Music history Socialization Music & society keyword: Gender Relations John Alden Mason Masculinities Popular Music Puerto Rico 1914-1914 ab: This article analyzes the representations of masculinities in Puerto Rico using the collection of popular music compiled by John Alden Mason between 1914 and 1915. It proposes that while a considerable number of these songs were instruments of socialization and reaffirmation of a hegemonic masculinity other songs represented and constructed alternative notions to this recalcitrant masculinity. In addition, the article argues that this alternative (non-hegemonic) masculinities used music as a cathartic and performative space in which singing, as opposed to speaking, created a special setting where hetero-normative gender order and the principal tenets of patriarchal masculinity were suspended. This scenario allowed men to exteriorize intimate feelings in public spaces without causing them stigmatization or social shame. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Centro Journal is the property of Centro de Estudios Puertorriquenos (Center for Puerto Rican Studies) and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Centro Journal holder: Centro de Estudios Puertorriquenos (Center for Puerto Rican Studies) dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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