A New Type of Subjectivity in the Works of Dmitry Prigov.

The article dwells upon the issue of a subject intrinsic to the art of the 70s and 80s of the 20th century, it elicits the reasons determining the problematization of "the Self" category inherent in the aesthetic program of the Moscow Conceptualism, preeminently with regards to the works of Dmitry P...

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Published in:Problems / Problemos Vol. 98; pp. 154 - 170
Main Author: Artemenko, Natalia
Format: Article
Published: Vilnius University 2020
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Online Access:View this record in EBSCOhost
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      dt: 2020
      vid: 98
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      pub: Vilnius University
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        10.15388/Problemos.98.14
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        atl: A New Type of Subjectivity in the Works of Dmitry Prigov.
      aug:
        au: Artemenko, Natalia
        affil:
          Institute of Philosophy, St Petersburg State University
          Institute of Human Philosophy, Herzen State Pedagogical University of Russia
      su:
        Subjectivity
        Consciousness
        Conceptualism
        Twentieth century
        Themes in art
        Aesthetic experience
      sug:
        subj:
          Subjectivity
          Consciousness
          Conceptualism
          Twentieth century
          Themes in art
          Aesthetic experience
      keyword:
        aesthetic experience
        Dmitry Prigov
        identity
        Moscow Conceptualism
        polysubjectivity
        the Self
        estetinis patyrimas
        Maskvos konceptualizmas
        polisubjektyvumas
        savastis
        tapatybė
      ab:
        The article dwells upon the issue of a subject intrinsic to the art of the 70s and 80s of the 20th century, it elicits the reasons determining the problematization of "the Self" category inherent in the aesthetic program of the Moscow Conceptualism, preeminently with regards to the works of Dmitry Prigov. "The crisis of the language describing 'the Self'" has been considered as discrediting the dominant discursive models, disabling the possibility of individual expressing. Within the first part of the article we problematize "the Self" category inherent in the aesthetic program of the Moscow Conceptualism, examine the dominant discursive models and denote the crisis of the language describing "the Self." The second part is devoted to the issue of "the personal consciousness" coming into being within the aesthetic program of Moscow Conceptualism. The Self is considered as a "category of categories" in dichotomy between "the collective" and "individual" ones. Finally, the third part represents the analysis of a subject of the aesthetic activity. "An imaginary personality" intrinsic to the works of Dmitry Prigov is considered as a subject of "a gnoseological game".
        Straipsnyje analizuojama XX a. 8-ojo ir 9-ojo dešimtmečių menui būdinga tema ir įvardijamos priežastys, lemiančios savasties kategorijos problematizavimą, būdingą Maskvos konceptualizmo estetinei programai ir visų pirma Dmitrijaus Prigovo kūrybai. Buvo manoma, kad „savastį aprašančios kalbos krizė" diskredituoja dominuojančiuosius diskursyvinius modelius ir užkerta kelią individualiai išraiškai. Pirmoje straipsnio dalyje problematizuojama savasties kategorija, būdinga Maskvos konceptualizmo estetinei programai, analizuojami dominuojantys diskursyviniai modeliai ir aptariama „savasties kalbos krizė". Antroje dalyje susitelkiama į „asmeninės sąmonės" problemą, atsirandančią Maskvos konceptualizmo estetinėje programoje. Kategorijų „kolektyvinis" ir „individualus" dichotomijoje savastis laikoma „kategorijų kategorija". Trečioje straipsnio dalyje analizuojama estetinės veiklos subjekto tema. Dmitrijaus Prigovo darbams būdinga „vaizduotės asmenybė" traktuojama kaip „gnoseologinio žaidimo" subjektas.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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      holder: Vilnius University
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          year: 2020
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