Publishing Notoriety: Piracy, Pornography, and Oscar Wilde.
A literary criticism is presented which focuses on the writer Oscar Wilde. The author says that for the first seven or eight years of the twentieth century, publishing Wilde in Europe was almost exclusively the work of two well-established pornographers, Leonard Smithers in London and Charles Carrin...
| Publicado en: | University of Toronto Quarterly Vol. 73; no. 4; pp. 980 - 991 |
|---|---|
| Autor principal: | |
| Formato: | Literary Criticism |
| Publicado: |
University of Toronto Press
Fall2004
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=14664878&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 14664878 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00420247 UTQ jtl: University of Toronto Quarterly issn: 00420247 maglogo: Y pubinfo: dt: Fall2004 vid: 73 iid: 4 pid: 678 pub: University of Toronto Press artinfo: ui: 14664878 10.3138/utq.73.4.980 ppf: 980 ppct: 11 formats: fmt: – @attributes: type: T – @attributes: type: P size: 2.2MB tig: atl: Publishing Notoriety: Piracy, Pornography, and Oscar Wilde. aug: au: Mackie, Gregory su: Wilde, Oscar, 1854-1900 Publishing Pornography Author-publisher relations Literature Europe sug: subj: Europe Wilde, Oscar, 1854-1900 Publishing Pornography Author-publisher relations Literature ab: A literary criticism is presented which focuses on the writer Oscar Wilde. The author says that for the first seven or eight years of the twentieth century, publishing Wilde in Europe was almost exclusively the work of two well-established pornographers, Leonard Smithers in London and Charles Carrington in Paris. From the time of Wilde's death in 1900 to the 1908 appearance of the authorized Methuen Collected edition of his works, nearly everything Wilde had ever written was pirated by either Smithers or Carrington. As Wilde's publisher during his post-prison years, Smithers maintained a very elitist view of the production and distribution of literary material, especially if this material was somewhat less than conventionally respectable. pubtype: Academic Journal doctype: Literary Criticism src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of University of Toronto Quarterly is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: University of Toronto Quarterly holder: University of Toronto Press dt: @attributes: year: 2004 holdings: @attributes: islocal: N |
|---|