Brouwer's Weak Counterexamples and the Creative Subject: A Critical Survey.

I survey Brouwer's weak counterexamples to classical theorems, with a view to discovering (i) what useful mathematical work is done by weak counterexamples; (ii) whether they are rigorous mathematical proofs or just plausibility arguments; (iii) the role of Brouwer's notion of the creative subject i...

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Publicado en:Journal of Philosophical Logic Vol. 49; no. 6; pp. 1111 - 1158
Autor principal: Fletcher, Peter
Formato: Artículo
Publicado: Springer Nature 2020
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Fletcher, Peter
        affil: School of Computing and Mathematics, Keele University, ST5 2BG, Keele, UK
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        Mathematical proofs
        Plausibility (Logic)
        Axioms
        Evidence
        Continuity
        Argument
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          Mathematical proofs
          Plausibility (Logic)
          Axioms
          Evidence
          Continuity
          Argument
      keyword:
        Brouwer
        Choice sequences
        Creative subject
        Intuitionistic analysis
        Intuitionistic logic
        Weak counterexamples
      ab: I survey Brouwer's weak counterexamples to classical theorems, with a view to discovering (i) what useful mathematical work is done by weak counterexamples; (ii) whether they are rigorous mathematical proofs or just plausibility arguments; (iii) the role of Brouwer's notion of the creative subject in them, and whether the creative subject is really necessary for them; (iv) what axioms for the creative subject are needed; (v) what relation there is between these arguments and Brouwer's theory of choice sequences. I refute one of Brouwer's claims with a weak counterexample of my own. I also examine Brouwer's 1927 proof of the negative continuity theorem, which appears to be a weak counterexample reliant on both the creative subject and the concept of choice sequence; I argue that it provides a good justification for the weak continuity principle, but it is not a weak counterexample and it does not depend essentially on the creative subject.
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