The Munich Pinacotheca in the Private Collection of the Counts Stroganov as Both an Object and a Subject of Intercultural Transfer.

The paper aims to study The Munich Pinacotheca, a graphic collection from the library owned by the Stroganov family and now housed in The Research Library of Tomsk State University, as a universal communicative model of the culture of the eighteenth and nineteenth centuries. Its engravings, made by...

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Publicado en:Slavonica Vol. 25; no. 2; pp. 118 - 132
Autores principales: Dashevskaya, Olga A., Poplavskaya, Irina A., Ablogina, Evgeniia V.
Formato: Artículo
Publicado: Taylor & Francis Ltd Nov2020
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        10.1080/13617427.2020.1827515
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        atl: The Munich Pinacotheca in the Private Collection of the Counts Stroganov as Both an Object and a Subject of Intercultural Transfer.
      aug:
        au:
          Dashevskaya, Olga A.
          Poplavskaya, Irina A.
          Ablogina, Evgeniia V.
        affil:
          Department of twentieth Century Russian Literature History, Faculty of Philology, Tomsk State University, Tomsk, Russia
          Department of Russian and Foreign Literature, Faculty of Philology, Tomsk State University, Tomsk, Russia
          Department of Romance and Germanic Philology, Faculty of Philology, Tomsk State University, Tomsk, Russia
      su:
        Stroganov family
        National character
        Culture
        Engraving
        Art collecting
        Jesus Christ in art
        Painting
      sug:
        subj:
          National character
          Culture
          Engraving
          Art collecting
          Jesus Christ in art
          Painting
          Stroganov family
      keyword:
        Graphic collections
        library
        Munich
        painting
        pinacotheca
        Stroganov
        Graphic collections
        library
        Munich
        painting
        pinacotheca
        Stroganov
      ab: The paper aims to study The Munich Pinacotheca, a graphic collection from the library owned by the Stroganov family and now housed in The Research Library of Tomsk State University, as a universal communicative model of the culture of the eighteenth and nineteenth centuries. Its engravings, made by Ferdinand Piloti and Joseph Löhle, demonstrate structural and thematic integrity. Firstly, it is a general theme of Jesus's Crucifixion based on the following motifs: the Mocking of Christ, his crowning with thorns, the Way of the Cross, deposition and lamentation over the dead Christ, his Ascension and reuniting with God the Father, his Resurrection and Baptism. Secondly, national images of the world, in particular found in the Dutch and the Flemish collections, and paintings featuring the German world. Thirdly, particular types of genre paintings distinguished within the collection.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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