Looking Back on Colonial Korea: Nostalgia and Anti-Nostalgia in Park Chang-wook's The Handmaiden.
This article examines how South Korean director Park Chan-wook's 2016 film The Handmaiden (Agassi) retrospects on Korea's late colonial period by keeping out of reach any unproblematic return to Korean sovereign nationality. Instead, the film keeps the tense suspended in a "futureless" colonial mode...
| Publicado en: | Journal of Commonwealth & Postcolonial Studies Vol. 7; no. 2; pp. 146 - 162 |
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| Formato: | Artículo |
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University of Florida, Board of Trustees
Fall2019
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| Acceso en línea: | Ver este registro en EBSCOhost |