Post-Human Mimesis and the Debunked Machine: Reading Environmental Appropriation in Poe's Maelzel's Chess-Player" and "The Man That Was Used Up."

Presents a study that uses N. Katherine Hayles's observations about the status of environmental relatedness in the posthuman subject as a starting point for a rather different kind of analysis than the one she has offered in her 1999 study, "How We Became Posthuman." Examination of a particular vers...

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Publicado en:Comparative Literature Studies Vol. 41; no. 3; pp. 356 - 377
Autor principal: Berkley, James
Formato: Artículo
Publicado: Pennsylvania State University Press 2004
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Post-Human Mimesis and the Debunked Machine: Reading Environmental Appropriation in Poe's Maelzel's Chess-Player" and "The Man That Was Used Up."
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        au: Berkley, James
        affil: University of California-Los Angeles
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        Aesthetics
        Mimesis
        Humanism
        Philosophy
        Hayles, N. Katherine
        Poe, Edgar Allan, 1809-1849
        Comparative literature
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          Aesthetics
          Mimesis
          Humanism
          Philosophy
          Hayles, N. Katherine
          Poe, Edgar Allan, 1809-1849
          Comparative literature
      ab: Presents a study that uses N. Katherine Hayles's observations about the status of environmental relatedness in the posthuman subject as a starting point for a rather different kind of analysis than the one she has offered in her 1999 study, "How We Became Posthuman." Examination of a particular version of posthuman subjectivity; Overturning of the subject of liberal humanism that can already be seen at work in the writings of Edgar Allan Poe; Implications on comparative literature studies.
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