One Does Not Simply Walk into Mordor: Sound and Music as Suture in the Opening Sequences of Peter Jackson's Middle-earth Films.
The opening sequences of narrative films are perhaps the most important moments for establishing a coherent film-world and drawing a viewer into a space and time often quite different from their own, and yet these moments remain largely untheorised within film studies and film music theory in partic...
| Publicado en: | Music, Sound & the Moving Image Vol. 14; no. 2; pp. 93 - 118 |
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| Formato: | Artículo |
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Liverpool University Press / Journals
Autumn2020
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| Acceso en línea: | Ver este registro en EBSCOhost |