Music as a subject of discussion in A.F. Losev's philosophical prose.
This article focuses on Alexei Losev's literary texts that embrace his mythology of music: "I was 19 years old," "A meteor," "A woman-thinker," "The Tchaikovsky trio," and "An encounter." It is shown that Losev's musical mythology developed from his early musical-critical works—through the artistic-...
| Publicado en: | Studies in East European Thought Vol. 72; no. 3/4; pp. 363 - 377 |
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| Formato: | Artículo |
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Springer Nature
2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=148189990&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 148189990 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09259392 GGL jtl: Studies in East European Thought issn: 09259392 maglogo: N pubinfo: dt: 2020 vid: 72 iid: 3/4 pid: 237 pub: Springer Nature artinfo: ui: 148189990 10.1007/s11212-020-09377-z ppf: 363 ppct: 14 formats: fmt: – @attributes: type: T – @attributes: type: P size: 566KB tig: atl: Music as a subject of discussion in A.F. Losev's philosophical prose. aug: au: Zenkin, Konstantin affil: Moscow P.I. Tchaikovsky Conservatory, Moscow, Russia su: Losev, Alekseĭ Fedorovich, 1893-1988 Musical aesthetics Music Mythology Philosophy sug: subj: Losev, Alekseĭ Fedorovich, 1893-1988 Musical aesthetics Music Mythology Philosophy keyword: Alexei Losev Fiction Musical myth Philosophy of music ab: This article focuses on Alexei Losev's literary texts that embrace his mythology of music: "I was 19 years old," "A meteor," "A woman-thinker," "The Tchaikovsky trio," and "An encounter." It is shown that Losev's musical mythology developed from his early musical-critical works—through the artistic-mythological episodes of his philosophical works per se (the fragment "Musical myth" from the treatise "Music as a subject of logic")—to his fiction of the 1930s. Losev's intentionally abstract philosophy of music required to be complemented by the artistic, emotional, socially and historically specific expression. The main idea of Losev's musical myth in its historical-cultural aspect is to reflect the relevant self-consciousness of an individual. The epoch of religious super-individualism and "prayerful delight" is replaced by the epoch of "musical delight" and professed idealization of an individual. This change was a reason of the extreme ambivalence of music, which, on the one hand, expresses the highest order and harmony and, on the other, is a continuous evolvement and chaos, a substantive uncertainty. The novelty of the article consists, firstly, in the analysis of correspondence between musical ambivalence and drama in the lives of the heroes, especially heroines symbolizing music itself; and secondly, in identifying the constant features of Losev's musical myth, as well as its specific features that emerge at different stages. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Studies in East European Thought is a copyright of Springer, 2020. All Rights Reserved. item: Studies in East European Thought holder: Springer Nature dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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