Spectator, enter the paradox in Duras's virtual film L'Homme Atlantique.
While much of the criticism of director Marguerite Duras's cinema has tended to prioritise sound over image, the writing process over the cinematographic one, this article argues that at every moment, Duras evokes cinema, its components and its material, thus making Duras a cineaste who thinks cinem...
| Publicado en: | French Screen Studies Vol. 21; no. 1; pp. 34 - 60 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb2021
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| Acceso en línea: | Ver este registro en EBSCOhost |