ALDO PALAZZESCHI'S :RIFLESSI OR, WRITING AS ERASURE.

The article presents scholar Franz Kafka's views on the book "Riflessi," by Aldo Palazzeschi, also known under the title "Allegoria Di Novembre." The novel is lost in its identity as an epistolary novel from the few decades of the twentieth century. So far, critical readings of the novel have failed...

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Publicado en:Modern Language Review Vol. 99; no. 4; pp. 924 - 938
Autor principal: Cesaretti, Enrico
Formato: Literary Criticism
Publicado: Modern Humanities Research Association Oct2004
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: ALDO PALAZZESCHI'S :RIFLESSI OR, WRITING AS ERASURE.
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        au: Cesaretti, Enrico
        affil: University of Virginia.
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        Riflessi (Book)
        Palazzeschi, Aldo
        Kafka, Franz, 1883-1924
        Book evaluations
        Italian literature
        Literary style
      sug:
        subj:
          Riflessi (Book)
          Palazzeschi, Aldo
          Kafka, Franz, 1883-1924
          Book evaluations
          Italian literature
          Literary style
      ab: The article presents scholar Franz Kafka's views on the book "Riflessi," by Aldo Palazzeschi, also known under the title "Allegoria Di Novembre." The novel is lost in its identity as an epistolary novel from the few decades of the twentieth century. So far, critical readings of the novel have failed to highlight what appears to be such an evident formal characteristic and, consequently, they have also left unexplored the potential interpretative implications this 'epistolary' feature may suggest. Palazzeschi's short novel with its two completely different, stylistically and structurally contrasting sections--the first and longer one consisting of thirty letters from the protagonist, Prince Valentino Kore, to his ex-lover, John Mare, and the second representing the comments of a vociferous crowd after the mysterious disappearance of Valentino--disorients its readers and problematizes any rigid categorization. The author suggest that Riflessi, with its two sections and its shifting narrative perspective, may actually represent a unique example and, thus, also a fitting "missing link" in the chronological development of the epistolary form in the Italian literary tradition.
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