THE "WORK" OF POST-CONCEPTUAL WRITING: THE STRANGE CASE OF ÉDOUARD LEVÉ.
This article explores the differences, if not incompatibility, between the para- or even postconceptual work of Édouard Levé, and the sort of canonical Conceptualism promoted in Craig Dworkin and Kenneth Goldsmith's anthology, Against Expression, as well as the practice of three contemporary America...
| Publicado en: | Litteraria Pragensia: Studies in Literature & Culture Vol. 30; no. 60; pp. 76 - 100 |
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| Autores principales: | , |
| Formato: | Artículo |
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Charles University Prague, Faculty of Arts
2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=148712160&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 148712160 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 08628424 IHH jtl: Litteraria Pragensia: Studies in Literature & Culture issn: 08628424 maglogo: N pubinfo: dt: 2020 vid: 30 iid: 60 pid: 88155 pub: Charles University Prague, Faculty of Arts artinfo: ui: 148712160 ppf: 76 ppct: 24 formats: fmt: @attributes: type: P size: 6.4MB tig: atl: THE "WORK" OF POST-CONCEPTUAL WRITING: THE STRANGE CASE OF ÉDOUARD LEVÉ. aug: au: Vichnar, David Bessière, Jean su: Conceptualism Poetics Anthologies Intention Reading Vocational guidance sug: subj: Conceptualism Poetics Anthologies Intention Reading Vocational guidance ab: This article explores the differences, if not incompatibility, between the para- or even postconceptual work of Édouard Levé, and the sort of canonical Conceptualism promoted in Craig Dworkin and Kenneth Goldsmith's anthology, Against Expression, as well as the practice of three contemporary American Conceptualists. The exploration takes place on the basis of an historical excursus into the various Conceptualist traditions, a theoretical exploration of mediabased conceptual theory, a discussion of the work of three 'staple' contemporary Conceptualists, and finally a detailed probe into Levé's writing career based on a comparative reading with Goldsmith's Conceptualist practice. The article makes a case against simple appropriation of the oeuvre of Edouard Levé for the Conceptualist cause by showing how his first text exhibits an explicit conceptual intention but thwarts its accomplishment, and the other three perform a rewriting of conceptual tenets that entails a break from Conceptualist aesthetics and poetics. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Litteraria Pragensia: Studies in Literature & Culture is the property of Charles University Prague, Faculty of Arts and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Litteraria Pragensia: Studies in Literature & Culture holder: Charles University Prague, Faculty of Arts dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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