On Cultural Appropriation.

This article starts from the premise that cultural appropriation is a key concern for folklorists and ethnologists, as well as for many of the communities with which they engage and partner, but that it is also one that has received relatively little attention of a general conceptual sort. This is t...

Descripción completa

Detalles Bibliográficos
Publicado en:Journal of Folklore Research Vol. 58; no. 1; pp. 77 - 123
Autor principal: Jackson, Jason Baird
Formato: Artículo
Publicado: Indiana University Press Jan-Apr2021
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=148746171&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 148746171
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        07377037
        28N
      jtl: Journal of Folklore Research
      issn: 07377037
      maglogo: N
    pubinfo:
      dt: Jan-Apr2021
      vid: 58
      iid: 1
      pid: 211
      pub: Indiana University Press
    artinfo:
      ui:
        148746171
        10.2979/jfolkrese.58.1.04
      ppf: 77
      ppct: 46
      formats:
        fmt:
          @attributes:
            type: P
            size: 501KB
      tig:
        atl: On Cultural Appropriation.
      aug:
        au: Jackson, Jason Baird
        affil: Indiana University Bloomington
      su:
        Cultural appropriation
        Cultural property
        Social change
        Folklorists
      sug:
        subj:
          Cultural appropriation
          Cultural property
          Social change
          Folklorists
      ab: This article starts from the premise that cultural appropriation is a key concern for folklorists and ethnologists, as well as for many of the communities with which they engage and partner, but that it is also one that has received relatively little attention of a general conceptual sort. This is true despite the ubiquity of cultural appropriation discussions in popular media, public culture, and informal scholarly conversation. Drawing on the work of these fields, an ideal-type conceptualization of cultural appropriation is offered, one that situates it as one among a range of modes of cultural change. For cultural appropriation, the key neighboring modes are diffusion, acculturation, and assimilation. The article also briefly addresses cultural appropriation as it is often situated vis-à-vis conceptions of, and processes related to, cultural property and cultural heritage. This heuristic emphasizes the metacultural discourse that marks instances of cultural appropriation as well as the inequality often characterizing the parties to such episodes.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Journal of Folklore Research is the property of Indiana University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Journal of Folklore Research
      holder: Indiana University Press
      dt:
        @attributes:
          year: 2021
    holdings:
      @attributes:
        islocal: N