Popular Music, Memory, and Aestheticized Historiography in a Minor Key: Einstürzende Neubauten's Lament for World War I's Dead.
Music, memory, and historicity relate to each other at a number of levels. I use Einstürzende Neubauten's Lament (2014) to think through possibilities of musically engaging with history and memory, and to question what functions this particular minor-key musical memory of World War I fulfils. Music...
| Publicado en: | Popular Music & Society Vol. 44; no. 1; pp. 93 - 107 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=148772917&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 148772917 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007766 POA jtl: Popular Music & Society issn: 03007766 maglogo: Y pubinfo: dt: Feb2021 vid: 44 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 148772917 10.1080/03007766.2019.1698827 ppf: 93 ppct: 14 formats: fmt: @attributes: type: P size: 1.1MB tig: atl: Popular Music, Memory, and Aestheticized Historiography in a Minor Key: Einstürzende Neubauten's Lament for World War I's Dead. aug: au: Hurley, Andrew Wright affil: School of International Studies and Education, Faculty of Arts and Social Sciences, University of Technology Sydney, Sydney, Australia su: World War I Popular music Memory Historiography Sound art sug: subj: World War I Popular music Memory Historiography Sound art keyword: Acoustic warscapes German popular music historical sensation industrial music music and memory sound studies ab: Music, memory, and historicity relate to each other at a number of levels. I use Einstürzende Neubauten's Lament (2014) to think through possibilities of musically engaging with history and memory, and to question what functions this particular minor-key musical memory of World War I fulfils. Music such as Lament offers a multimodal connection with the past and can generate in listeners a strong historical sensation. It can thereby activate the listener, but the fugitiveness of musical meaning means that listeners may not always pick up on productive cues. Affective, historicizing cues can be undercut in the process of reception. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Popular Music & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Popular Music & Society holder: Taylor & Francis Ltd dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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