The iron screen: an ideological analysis of the discourse on Russia through the nuclear disaster of Chernobyl.
In TV fiction, over the past years, it has been possible to detect the recuperation of specific themes linked to a particular sociopolitical context: the Cold War. The Russians and the Soviet era are becoming gradually more commonplace in highly popular television serial narratives like the miniseri...
| Publicado en: | Journal for Cultural Research Vol. 24; no. 4; pp. 253 - 269 |
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| Autores principales: | , |
| Formato: | Artículo |
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Taylor & Francis Ltd
Dec2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=148859625&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 148859625 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14797585 QMJ jtl: Journal for Cultural Research issn: 14797585 maglogo: Y pubinfo: dt: Dec2020 vid: 24 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 148859625 10.1080/14797585.2020.1810584 ppf: 253 ppct: 16 formats: fmt: – @attributes: type: T – @attributes: type: P size: 322KB tig: atl: The iron screen: an ideological analysis of the discourse on Russia through the nuclear disaster of Chernobyl. aug: au: Donstrup, Mayte Algaba, Cristina affil: Universidad de Sevilla, Spain su: Ideological analysis Discourse analysis Television broadcasting Television series Cold War, 1945-1991 Ideological conflict Chernobyl Nuclear Accident, Chornobyl, Ukraine, 1986 Russia sug: subj: Russia Ideological analysis Discourse analysis Television broadcasting Television series Cold War, 1945-1991 Ideological conflict Chernobyl Nuclear Accident, Chornobyl, Ukraine, 1986 keyword: Chernobyl Cold War HBO ideology Nuclear disaster television series ab: In TV fiction, over the past years, it has been possible to detect the recuperation of specific themes linked to a particular sociopolitical context: the Cold War. The Russians and the Soviet era are becoming gradually more commonplace in highly popular television serial narratives like the miniseries Chernobyl. Accordingly, the main aim of this paper is to determine how its discourse is constructed and its relationship with the television industry and the current socio-political reality. The ultimate intention is to reflect on how TV fiction has become a valuable benchmark for gauging the situation of a specific society and how it has contributed to constructing its collective imaginaries. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal for Cultural Research is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal for Cultural Research holder: Taylor & Francis Ltd dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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