Marx's Minerva: sex, socialism and Soviet Russia in Matilde de la Torre's El banquete de Saturno: Novela social (1931).

Focusing on the 1931 novel El banquete de Saturno: Novela social by Matilde de la Torre, one of the first diputadas in Spain, this article explores the feminist subtexts of a narrative that centres on a workers' revolution dominated by male characters. In the novel, which is fundamentally a satirica...

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Publicado en:Journal of Spanish Cultural Studies Vol. 22; no. 1; pp. 39 - 58
Autor principal: Madden, Deborah
Formato: Artículo
Publicado: Taylor & Francis Ltd Mar2021
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Marx's Minerva: sex, socialism and Soviet Russia in Matilde de la Torre's El banquete de Saturno: Novela social (1931).
      aug:
        au: Madden, Deborah
        affil: Instituto de Investigaciones Feministas, Universidad Complutense de Madrid, Madrid, Spain
      su:
        Russia
        Women
        Women in politics
        Marxist analysis
        Russian Revolution, 1917-1921
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        subj:
          Women
          Women in politics
          Marxist analysis
          Russia
          Russian Revolution, 1917-1921
      keyword:
        feminism
        Partido Socialista Obrero Español (PSOE)
        Second Republic
        Socialism
        women's writing
        feminism
        Partido Socialista Obrero Español (PSOE)
        Second Republic
        Socialism
        women's writing
      ab: Focusing on the 1931 novel El banquete de Saturno: Novela social by Matilde de la Torre, one of the first diputadas in Spain, this article explores the feminist subtexts of a narrative that centres on a workers' revolution dominated by male characters. In the novel, which is fundamentally a satirical critique of the Russian Revolution and Soviet Union that highlights the disastrous consequences that arise when socialist ideals are misrepresented, De la Torre reflects on socialist doctrine, women's political autonomy and the debates and policies of the Partido Socialista Obrero Español (PSOE) – the party she officially joined in 1931 and would represent after winning a seat in the 1933 and 1936 elections. Drawing on a range of sources to contextualize the subject matter of the novel, including Marxist writings and criticism, socialist literary models, Spanish travelogues about Soviet Russia and feminist Marxist scholarship, I argue that De la Torre uses El banquete as a means of contributing to contemporary political debates, proposing a reconceptualization of socialist rhetoric and policy that would benefit from female input.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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