Twenty Thousand Leagues East: Around the World with Nadia: The Secret of Blue Water.
Originally conceived as an adaptation of the works of Jules Verne by Hayao Miyazaki and eventually developed by Hideaki Anno and the studio Gainax, Nadia: The Secret of Blue Water (1990-1991) acts as one of the clearest examples of the fascinating interdependencies that are evident between the Japan...
| Publicado en: | Science Fiction Studies Vol. 48; no. 1; pp. 45 - 61 |
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| Formato: | Artículo |
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University of California Press
Mar2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=149034016&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 149034016 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00917729 SFS jtl: Science Fiction Studies issn: 00917729 maglogo: N pubinfo: dt: Mar2021 vid: 48 iid: 1 pid: 414 pub: University of California Press artinfo: ui: 149034016 10.1353/sfs.2021.0016 ppf: 45 ppct: 16 formats: fmt: @attributes: type: P size: 869KB tig: atl: Twenty Thousand Leagues East: Around the World with Nadia: The Secret of Blue Water. aug: au: McAllister, Robbie su: Nadia: The Secret of Blue Water (Book) Miyazaki, Hayao, 1941- Hideaki, Anno Cultural industries Steampunk culture sug: subj: Nadia: The Secret of Blue Water (Book) Miyazaki, Hayao, 1941- Hideaki, Anno Cultural industries Steampunk culture ab: Originally conceived as an adaptation of the works of Jules Verne by Hayao Miyazaki and eventually developed by Hideaki Anno and the studio Gainax, Nadia: The Secret of Blue Water (1990-1991) acts as one of the clearest examples of the fascinating interdependencies that are evident between the Japanese entertainment industries and the movement that has become known as steampunk. Variously defined as neo-victorientalism and steampanku by those with an interest in its representations of industrial nostalgia, Japanese steampunk has served as a rich resource for representations of Japan’s past, present, and future, filtered through the iconography of fantastical steam-powered and piston-driven machinery. This article offers a close analysis of the series and considers the ways that its reworking of archetypal representations of nineteenth-century sf offer opportunities to evaluate the enormously complex and contradictory facets of nostalgic reminiscence. By considering the ways that the series fetishizes referents to this past age of technological development, I evaluate the means through which a legacy of bygone scientific romance and imperial adventure continues to reflect the fin-de-siècle concerns of a later century and Japan’s own orientation in a globalized and postcolonial world. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Science Fiction Studies is the property of University of California Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Science Fiction Studies holder: University of California Press dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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