The history and invocation of the Arche in Austrian Radical architecture thinking.
The architecture of the European Radical movements of the 1960s and 1970s is principally associated with the forward-looking principles of the architectural avant-garde. Scholarship on the movements emphasizes its futuristic and accompanying science fiction elements. While the importance of a vision...
| Publicado en: | Cogent Social Sciences Vol. 3; no. 1; pp. 1 - 15 |
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| Autores principales: | , , |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=149229886&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 149229886 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 23311886 JX4W jtl: Cogent Social Sciences issn: 23311886 maglogo: N pubinfo: dt: 2017 vid: 3 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 149229886 10.1080/23311886.2017.1368366 ppf: 1 ppct: 14 formats: tig: atl: The history and invocation of the Arche in Austrian Radical architecture thinking. aug: au: Melis, Alessandro Davis, Michael John Balaara, Allan affil: School of Architecture, University of Portsmouth, 5 Havelock Road, PO51RQ, Portsmouth, UK Architecture Programmes, University of Auckland, 26 Symonds Street, 1010, Auckland, New Zealand keyword: Arche architecture history Austrian Radicals radical architecture Utopia Vienna visionary architecture Arche architecture history Austrian Radicals radical architecture Utopia Vienna visionary architecture ab: The architecture of the European Radical movements of the 1960s and 1970s is principally associated with the forward-looking principles of the architectural avant-garde. Scholarship on the movements emphasizes its futuristic and accompanying science fiction elements. While the importance of a visionary focus on the birth and development of the Radical movements is widely acknowledged, the same cannot be said for the connections of the visionary production to the architectural past. This article focuses on the Austrian Radicals and stresses their use of archetypal forms as a means to signify the difference between them and the preceding generation of Austrian modernists. In this sense the passing of editorial control of Bau from the Modernists to the Radicals is a crucial moment in the context of this article. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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