The Inappropriable: On Oikology, Care, and Writing Life.
This article thinks epistemological and methodological approaches to work (and to 'work/life balance') that take deeply into account the choreographic and temporal shifts, the disruptions, the sideways movements of thought, that come with parenting in an economy in crisis. Obliquely rearticulating t...
| Publicado en: | Substance: A Review of Theory & Literary Criticism Vol. 50; no. 1; pp. 116 - 140 |
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| Formato: | Artículo |
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Johns Hopkins University Press
2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=149482517&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 149482517 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00492426 2FG jtl: Substance: A Review of Theory & Literary Criticism issn: 00492426 maglogo: N pubinfo: dt: 2021 vid: 50 iid: 1 pid: 226 pub: Johns Hopkins University Press artinfo: ui: 149482517 10.1353/sub.2021.0006 ppf: 116 ppct: 24 formats: fmt: @attributes: type: P size: 2.3MB tig: atl: The Inappropriable: On Oikology, Care, and Writing Life. aug: au: Gotman, Kélina affil: King's College London su: Work-life balance Time management Quality of life Parenting Child rearing COVID-19 pandemic sug: subj: Work-life balance Time management Quality of life Parenting Child rearing COVID-19 pandemic keyword: care choreography homework intellectual labor oikonomy parenting work/life balance ab: This article thinks epistemological and methodological approaches to work (and to 'work/life balance') that take deeply into account the choreographic and temporal shifts, the disruptions, the sideways movements of thought, that come with parenting in an economy in crisis. Obliquely rearticulating the 'work/life balance' dyad to better think performative productivity in terms of oikological investments, the article performs another economy of writing and care. Engaged in what I call 'plastic critique,' the article moves and morphs as it proceeds through readings of critical texts in the history of thinking governmentality, care of self, home, and 'contact.' Not only 'performative,' the article also thinks how to enact intimacy within the space of the page, engaging in a method of writing that offers a careful, vulnerable critical praxis. Aware of the current crisis of professional labor in the context of the COVID-19 pandemic, the article takes a longer view of issues of gender and emotional labor while seeking directly to speak through these challenges from a politically situated perspective: within the interstices between moments of work and play. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Substance: A Review of Theory & Literary Criticism is the property of Johns Hopkins University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Substance: A Review of Theory & Literary Criticism holder: Johns Hopkins University Press dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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