'A tongue tells a thousand truths': narration, translation and illustration in Mohamed Mrabet's Chocolate Creams and Dollars.

This study attempts to explore one of the less-studied works in Paul Bowles-Mohamed Mrabet's intellectual and translational collaborations, Chocolate Creams and Dollars, a semi-autobiographical novel illustrated by Philip Taaffe's photographs and found objects. The story presents Driss, a young Moro...

Descripción completa

Detalles Bibliográficos
Publicado en:Journal of North African Studies Vol. 26; no. 3; pp. 527 - 552
Autores principales: Sánchez, María Porras, Simour, Lhoussain
Formato: Artículo
Publicado: Taylor & Francis Ltd May2021
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=149672864&site=ehost-live
header:
  @attributes:
    shortDbName: ssf
    uiTerm: 149672864
    longDbName: Social Sciences Full Text (H.W. Wilson)
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        13629387
        RIG
      jtl: Journal of North African Studies
      issn: 13629387
      maglogo: Y
    pubinfo:
      dt: May2021
      vid: 26
      iid: 3
      pid: 377
      pub: Taylor & Francis Ltd
    artinfo:
      ui:
        149672864
        10.1080/13629387.2019.1706168
      ppf: 527
      ppct: 25
      formats:
        fmt:
          – @attributes:
              type: T
              db: hlh
              ui: 149672864
          – @attributes:
              type: P
              db: hlh
              ui: 149672864
      tig:
        atl: 'A tongue tells a thousand truths': narration, translation and illustration in Mohamed Mrabet's Chocolate Creams and Dollars.
      aug:
        au:
          Sánchez, María Porras
          Simour, Lhoussain
        affil:
          Department of English Studies, Universidad Complutense de Madrid, Spain
          Hassan II University of Casablanca, Morocco
      su:
        Morocco
        Bowles, Paul, 1910-1999
        Identity (Psychology)
        Cultural identity
        Translations
        Chocolate
        Authorship collaboration
        Chocolate candy
      sug:
        subj:
          Identity (Psychology)
          Cultural identity
          Translations
          Morocco
          Confectionery Manufacturing from Purchased Chocolate
          Chocolate and Confectionery Manufacturing from Cacao Beans
          Other specialty-line food merchant wholesalers
          Confectionery Merchant Wholesalers
          Chocolate
          Authorship collaboration
          Chocolate candy
          Bowles, Paul, 1910-1999
      keyword:
        cultural contacts
        cultural illustration
        Mohamed Mrabet
        Paul Bowles
        translation
        cultural contacts
        cultural illustration
        Mohamed Mrabet
        Paul Bowles
        translation
      ab: This study attempts to explore one of the less-studied works in Paul Bowles-Mohamed Mrabet's intellectual and translational collaborations, Chocolate Creams and Dollars, a semi-autobiographical novel illustrated by Philip Taaffe's photographs and found objects. The story presents Driss, a young Moroccan entangled within the shifts and twists of encounter with Westerners in a Northern Moroccan coastal city. By virtue of the three different interventions – Mrabet's story, Bowles's translation and Taaffe's art – the novel is contrapuntal, since each creator presents a different – and often conflicting – point of view. The three of them are observers who record Morocco's 'Interzone' from different angles and cultural agendas. This paper seeks to understand these networks of collaborative connections as they pertain to transcultural contacts, exploring the sexual, cross-cultural, textual and visual discourses running through the narrative fabrics. It analyses Bowles's slippages in authority and in authorship and Taaffe's objectifying and exotifying gaze, and how Driss, Mrabet's protagonist, turns his ethnographic gaze back upon the Westerners. It finally argues that Mrabet's novel, through the symbolic appropriation of experiences with Westerners, articulates intricate discourses on the construction of a cultural identity at the crossroads of neocolonial ventures and postcolonial anxieties.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: N
    holdings:
      @attributes:
        islocal: N