Image, subject, power: interview with Marie-José Mondzain.

When we think about image and visual culture in general, the name Marie-José Mondzain comes to mind. In this interview, she discusses the origin and efficacy of image and image making as they run through history, politics, culture, and across the seeping veins of power in our everyday life. As Mondz...

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Publicado en:Inter-Asia Cultural Studies Vol. 22; no. 1; pp. 83 - 100
Autores principales: Mondzain, Marie-José, Chang, Briankle G., Zervoudaki, Nefeli Forni
Formato: Artículo
Publicado: Taylor & Francis Ltd Mar2021
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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          Mondzain, Marie-José
          Chang, Briankle G.
          Zervoudaki, Nefeli Forni
        affil:
          The School for Advanced Studies in the Social Sciences and the French National Centre for Scientific Research, Paris, France
          Department of Communication, University of Massachusetts, Amherst, MA, USA
          Program of Comparative Literature, University of Massachusetts, Amherst, MA, USA
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        Mondzain, Marie-José
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        Gaze
        Visual perception
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        culture
        gaze
        icon
        image
        politics
        power
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      ab: When we think about image and visual culture in general, the name Marie-José Mondzain comes to mind. In this interview, she discusses the origin and efficacy of image and image making as they run through history, politics, culture, and across the seeping veins of power in our everyday life. As Mondzain shows here and in other writings, to understand how image works is to understand how individuals, in viewing images, become spectators in their coming to be as desiring and speaking subjects. In print, virtually, or otherwise, images and power serve each other, establishing and policing the zones of distinction between vision and gaze, the visible and the invisible, power and resistance, belief and unbelief. Images are always contemporary, always with the time, always with us in time. This interview sheds light on why and how this is the case, through the anthropological truth image making reveals, as well as the political reality we create and recreate as the image makers and image destroyers.
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      custom: Copyright of Inter-Asia Cultural Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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