Operatic Encounters in a Time of War.
Absolute war, total war, world revolution: the nature and scale of the global conflicts that took place around 1800 have been explored (and contested) both at the time and ever since, and recent scholarship has begun to resituate the literary, visual, and theatrical art of the period within this lan...
| Publicado en: | Journal of War & Culture Studies Vol. 14; no. 2; pp. 211 - 230 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
May2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=149906580&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 149906580 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 17526272 392A jtl: Journal of War & Culture Studies issn: 17526272 maglogo: N pubinfo: dt: May2021 vid: 14 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 149906580 10.1080/17526272.2021.1887578 ppf: 211 ppct: 19 formats: fmt: – @attributes: type: T – @attributes: type: P size: 651KB tig: atl: Operatic Encounters in a Time of War. aug: au: Walton, Benjamin affil: University of Cambridge, UK su: Hoffmann, E. T. A. (Ernst Theodor Amadeus), 1776-1822 Princeton University Opera Romanticism Modernity Historians sug: subj: Hoffmann, E. T. A. (Ernst Theodor Amadeus), 1776-1822 Princeton University Opera Romanticism Modernity Historians keyword: Cimarosa E.T.A. Hoffmann opera Rossini South America Stendhal wartime ab: Absolute war, total war, world revolution: the nature and scale of the global conflicts that took place around 1800 have been explored (and contested) both at the time and ever since, and recent scholarship has begun to resituate the literary, visual, and theatrical art of the period within this landscape of perpetual conflict. Opera historians, though, have until recently largely steered clear of the operatic mediation of war beyond its most local manifestations. My article returns to the subject of opera and war, to reflect on how an expanded understanding of wartime, in reaching beyond the actual war event (Favret, 2010. War at a Distance: Romanticism and the Making of Modern Wartime. Princeton: Princeton University Press), can provide new insights into the recent scholarly work on opera's transnational mobility (and malleability), its articulation of modernity and its framing of cross-cultural encounters. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of War & Culture Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of War & Culture Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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