Red or white? Color in Chinese folksongs.

Color preference in Chinese folksongs is examined from the perspectives of themes, ethnicity, and geographical environment. The results yield that self-organization property of language system plays the role in color use and color preference varies with theme, ethnicity, and geographical environment...

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Published in:Digital Scholarship in the Humanities Vol. 36; no. 1; pp. 225 - 242
Main Authors: Zhang, Xiaojin, Liu, Haitao
Format: Article
Published: Oxford University Press / USA Apr2021
Subjects:
Online Access:View this record in EBSCOhost
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        atl: Red or white? Color in Chinese folksongs.
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          Zhang, Xiaojin
          Liu, Haitao
        affil:
          Zhejiang University, China and North Minzu University , China
          Zhejiang University, China; Beijing Language and Culture University China and Guangdong University of Foreign Studies , China
      su:
        Folk songs
        Love songs
        Colors
        Color
        Ethnicity
        Minorities
        Population of China
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          Folk songs
          Love songs
          Colors
          Color
          Ethnicity
          Minorities
          Population of China
      ab: Color preference in Chinese folksongs is examined from the perspectives of themes, ethnicity, and geographical environment. The results yield that self-organization property of language system plays the role in color use and color preference varies with theme, ethnicity, and geographical environment. Specifically, the color of white is preferred by twenty-three ethnic minorities and the color of red is much more popular among the Han. Only in love songs, the preference for white and red exhibits an approximate north and south dimension. The study shows that digital approaches related to colors in folklore are an effective and promising tool to explore human's response to colors.
      pubtype: Academic Journal
      doctype: Article
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    language: English
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