The loss of home and the predicament of belonging in a 21st century world: postcolonial perspectives with reference to two texts of Breyten Breytenbach.

In a 21st century world, the loss of home is more prevalent, perhaps, than ever before. Breyten Breytenbach is an author whose work embodies and ruthlessly explores a state of non-belonging. Without romancing the idea of the exile, Breytenbach engages with the problematics that a fixed conception of...

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Publicado en:Stilet Vol. 31; no. 1/2; pp. 363 - 380
Autor principal: PREEZ, TANYA DU
Formato: Artículo
Publicado: North West University jun/sep2019
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The loss of home and the predicament of belonging in a 21st century world: postcolonial perspectives with reference to two texts of Breyten Breytenbach.
      aug:
        au: PREEZ, TANYA DU
        affil: Language department, Stadio School of Education, Stadio Faculty of Education.
      su:
        Homelessness
        Social belonging
        Postcolonialism
        Cosmopolitanism
        Notes From the Middle World (Book)
        Breytenbach, Breyten
        Authorship
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        subj:
          Homelessness
          Social belonging
          Postcolonialism
          Cosmopolitanism
          Notes From the Middle World (Book)
          Breytenbach, Breyten
          Authorship
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        In a 21st century world, the loss of home is more prevalent, perhaps, than ever before. Breyten Breytenbach is an author whose work embodies and ruthlessly explores a state of non-belonging. Without romancing the idea of the exile, Breytenbach engages with the problematics that a fixed conception of home suggest in a world in which the movement of people is redefining the relationship between home and country. Similarly, those who remain in a particular place are not isolated from the effects of globalisation and have to contend with their own re-evaluation of what it means to belong? Various questions present themselves: How to ethically interact with others? How to locate oneself in a changed global world? Can one learn from writers’ imaginative re-conceptions of home? In particular, in this essay, how does Breytenbach respond to the challenge of rootlessness with his own unique cosmopolitanism? Does his double vision – a vision that is the result of his simultaneous awareness of a past and present environment – lend us particular insights into the challenge of belonging in a 21st century world? In considering two of his recent works in English: A veil of footsteps (2008) and Notes from the Middle World (2009), I examine how the insights revealed in his work further explore the questions posed above.
        Een van die uitdagings van die een-en-twintigste eeu is die verlies van ’n tuiste vir vele mense in bevolkings regoor die wêreld. Breyten Breytenbach is ’n skrywer wie se werk die verlies van ’n tuiste genadeloos verken. Sonder om die banneling se posisie te romantifiseer, wys Breytenbach die problematiek rondom vaste definisies van tuiste uit, in tye waarin menslike beweeglikheid die skakel tussen ’n land en ’n tuiste herdefinieer. Net so, vir dié wat nie uit hul land beweeg nie, kan daar nie afstand gedoen word van die gevolge van globalisering en van hernude oorwegings oor geborgenheid en tuiste nie. Verskeie vrae kan gevra word: Hoe om eties met ander om te gaan? Hoe om die self te setel in ’n veranderende, globale wêreld? Is daar iets te leer uit skrywers se verbeeldingryke herkonstruksies van tuiste? Spesifiek, in hierdie artikel, hoe reageer Breytenbach op die uitdaging van tuisteloosheid met sy eie unieke kosmopolitaanse uitkyk? Gee sy dubbele visie – wat vloei uit sy gelyktydige bewustheid van ’n vorige en huidige omgewing – ons groter insig in die uitdaging van tuisteskepping in die een-en-twintigste eeu? Die artikel ondersoek twee van sy onlangse, Engelse werke: A veil of footsteps (2008) en Notes from the Middle World (2009), om vas te stel hoe die mededelings in sy werk die vrae hierbo verken.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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