Modernising Misogyny in Shakespeare's Shrew.

This article considers how Anne Tyler's novel, Vinegar Girl (Hogarth, 2016), adopts and adapts the critical debate concerning misogyny in Shakespeare's Taming of the Shrew. Social historians have helped to contextualise the shrew-taming plot, some claiming that Shakespeare's tale is romantic when re...

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Publicado en:Critical Survey Vol. 33; no. 2; pp. 31 - 43
Autor principal: Eschenbaum, Natalie K.
Formato: Artículo
Publicado: Berghahn Books Summer2021
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Eschenbaum, Natalie K.
        affil: St. Catherine University, St. Paul, Minnesota, USA
      su:
        Vinegar Girl (Book)
        Tyler, Anne, 1941-
        Misogyny in literature
        Taming of the Shrew, The (Play : Shakespeare)
        Tie-in novels
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          Vinegar Girl (Book)
          Tyler, Anne, 1941-
          Misogyny in literature
          Taming of the Shrew, The (Play : Shakespeare)
          Tie-in novels
      keyword:
        #metoo
        Anne Tyler
        gender performance
        girlhood studies
        misogyny
        Shakespeare adaptation
        The Taming of the Shrew
        Vinegar Girl
      ab: This article considers how Anne Tyler's novel, Vinegar Girl (Hogarth, 2016), adopts and adapts the critical debate concerning misogyny in Shakespeare's Taming of the Shrew. Social historians have helped to contextualise the shrew-taming plot, some claiming that Shakespeare's tale is romantic when read in context; however, students push back against such conclusions, arguing that teaching Shrew and its informing histories reinforces the patriarchy and risks normalising misogyny. My argument is structured, in part, as a response to students' concerns, and is informed by girlhood and cultural studies. I survey Tyler's purposeful use of the powerful term 'girl' to show how the taming plot is modernised, but remains misogynistic. Vinegar Girl reveals how any tale about taming a woman has an underlying message of male dominance. In Tyler's novel, misogynistic values are sometimes romanticised, sometimes criticised, and frequently both simultaneously. In this contradictory way, it is very much like Shakespeare's original play.
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