Today, Tomorrow, and In-Between: Straub/Huillet, the Schoenbergs, and the Gendered Micropolitics of Operatic Performance in Von heute auf morgen.
Artists who have confronted the politics of collaborative theater have been both drawn to and repelled by opera, intrigued by its aesthetic possibilities, its suspect politics, and its economic entanglements. Central to opera's fascination has also been its complex and manifestly gendered production...
| Publicado en: | Feminist German Studies Vol. 37; no. 1; pp. 86 - 111 |
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| Formato: | Artículo |
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University of Nebraska Press
Spring/Summer2021
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| Acceso en línea: | Ver este registro en EBSCOhost |