The composite pardo of seventeenth-century Lima: blackness, whiteness, and Creole self-fashioning in the earliest portraits of Martín de Porres.

The article focuses on composite pardo of seventeenth-century Lima, Peru on blackness, whiteness, and Creole self-fashioning in the earliest portraits of Martín de Porres. It mentions portrayals of Martín depict his racialized social status deserve further examination and solidification of skin-colo...

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Publicado en:Colonial Latin American Review Vol. 30; no. 2; pp. 272 - 305
Autor principal: Brewer-García, Larissa
Formato: Artículo
Publicado: Taylor & Francis Ltd Jun2021
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Brewer-García, Larissa
        affil: University of Chicago
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        Creoles
        Ethnic identity of Creoles
        De Porres, Martin, Saint
        Social status
        Catholic Church
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          Creoles
          Ethnic identity of Creoles
          De Porres, Martin, Saint
          Social status
          Catholic Church
      ab: The article focuses on composite pardo of seventeenth-century Lima, Peru on blackness, whiteness, and Creole self-fashioning in the earliest portraits of Martín de Porres. It mentions portrayals of Martín depict his racialized social status deserve further examination and solidification of skin-color based racial hierarchies. It also mentions effort made by white Creole elites in Lima, Peru in the mid-to-late seventeenth century to fashion themselves before the larger Catholic world.
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    language: English
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