The Sounds of Development: Musical Representation as A(nother) Source of Development Knowledge.
The experience of development, as well as understandings of and responses to it, are uniquely rendered through popular culture generally, and popular music in particular. Music has been a medium of choice through which marginalised populations all over the world convey their (frequently critical) vi...
| Publicado en: | Journal of Development Studies Vol. 57; no. 8; pp. 1397 - 1413 |
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| Autores principales: | , , |
| Formato: | Artículo |
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Taylor & Francis Ltd
Aug2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=151268668&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 151268668 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 00220388 JDS jtl: Journal of Development Studies issn: 00220388 maglogo: N pubinfo: dt: Aug2021 vid: 57 iid: 8 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 151268668 10.1080/00220388.2020.1862800 ppf: 1397 ppct: 16 formats: fmt: – @attributes: type: T db: hlh ui: 151268668 – @attributes: type: P db: hlh ui: 151268668 tig: atl: The Sounds of Development: Musical Representation as A(nother) Source of Development Knowledge. aug: au: Lewis, David Rodgers, Dennis Woolcock, Michael affil: London School of Economics and Political Science, London, UK Graduate Institute of International and Development Studies, Geneva, Switzerland Development Research Group, World Bank, Washington, DC, USA su: Popular music Popular culture Developing countries Global North-South divide Musicals Absorptive capacity (Economics) sug: subj: Popular music Popular culture Theater Companies and Dinner Theaters Developing countries Global North-South divide Musicals Absorptive capacity (Economics) ab: The experience of development, as well as understandings of and responses to it, are uniquely rendered through popular culture generally, and popular music in particular. Music has been a medium of choice through which marginalised populations all over the world convey their (frequently critical) views, while in the Global North music has also long played a prominent (if notorious) role in portraying the plight of the South's 'starving millions' as an emotional pretext for soliciting funds for international aid. We discuss the relationship between music and development in five specific domains: the tradition of Western 'protest' music; musical resistance in the Global South; music-based development interventions; commodification and appropriation; and, finally, music as a globalised development vernacular. We present our analyses not as definitive or comprehensive but as invitations to broaden the range of potential contributions to development debates, and the communicative modalities in and through which these debates are conducted. Doing so may lead to enhancing the relevance and coherence of development debates for a greater range of key stakeholders of development by making them more open, authentic, and compelling. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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