Genealogia femenina en Els jeroglífics i la pedra de Rosetta (1976) de Carmelina Sánchez-Cutillas.

The purpose of this article is to approach female genealogy in the poetry collection Els jeroglífics i la pedra de Rosetta, in order to prove that the presence of certain female figures is not accidental, but rather responds to a clear gender awareness on the part of Carmelina Sánchez-Cutillas. The...

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Publicado en:Scripta Vol. 17; pp. 485 - 506
Autor principal: DOMÉNECH, VERÒNICA CANTÓ
Formato: Artículo
Publicado: Scripta Jun2021
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Genealogia femenina en Els jeroglífics i la pedra de Rosetta (1976) de Carmelina Sánchez-Cutillas.
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        au: DOMÉNECH, VERÒNICA CANTÓ
        affil: Acadèmia Valenciana de la Llengua.
      su:
        Group identity
        Gender
        Poetry collections
        Females
        Oppression
        Consciousness
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          Group identity
          Gender
          Poetry collections
          Females
          Oppression
          Consciousness
      keyword:
        Carmelina Sánchez-Cutillas
        female figure
        gender awareness
        mythology
        symbolism
        Carmelina Sánchez-Cutillas
        consciència de gènere
        figura femenina
        mitologia
        simbologia
      ab:
        The purpose of this article is to approach female genealogy in the poetry collection Els jeroglífics i la pedra de Rosetta, in order to prove that the presence of certain female figures is not accidental, but rather responds to a clear gender awareness on the part of Carmelina Sánchez-Cutillas. The paper also aims to verify that female typology is opposed to a series of male figures, associated with concepts of authority and oppression, representative of the androcentric patriarchal view of the Francoist society. From the analysis of this book of poems, in which the author incorporates all of her extraordinary cultural background and manifests her erudition, we venture to provide inside into the study of the symbology underlying the fourteen mythological female figures present in the work. They are characterized by features such as universality, strength or wisdom, which are recovered by the writer as voices of the past that return to the present with great evocative force and with a desire to denounce, to rescue us from the silence, the emptiness, the darkness, to regain our consciousness, identity and individual and collective dignity.
        L’objectiu d’aquest article és fer una aproximació a la genealogia femenina que transita pel poemari Els jeroglífics i la pedra de Rosetta, amb la finalitat de comprovar que la presència de determinades figures femenines no és casual, sinó que respon a una clara consciència de gènere de Carmelina Sánchez-Cutillas; així com també verificar que la tipologia femenina s’oposa a un seguit de figures masculines, associades a conceptes d’autoritat i opressió, tan representatius de la visió androcèntrica patriarcal de la societat franquista. A partir de l’anàlisi d’aquest poemari, en el qual l’autora incorpora tot el seu extraordinari bagatge cultural i fa una exhibició de la seua erudició, ens aventurem a oferir una nova perspectiva d’anàlisi basada en l’estudi de la simbologia que amaguen les catorze figures femenines mitològiques presents en l’obra, caracteritzades per trets com la universalitat, la fortalesa o la saviesa, que són recuperades per l’escriptora com a veus del passat que retornen al present amb una gran força evocadora, amb afany de denúncia, per a rescatar-nos del silenci, del buit, de la foscor, per a retornar-nos la consciència, la identitat i la dignitat individual i col·lectiva.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Catalan
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