Freedom as a Mirage: Sexual Commodification in Harold Pinter's Films.
Luce Irigaray's mimesis is a political action born out of the recognition that women's position in society is based upon the ideal image of masculinity. It is, thus, a strategy that aims to articulate the specific position of women within the phallocentric culture in order to destabilize the foundat...
| Publicado en: | Journal of Modern Literature Vol. 44; no. 3; pp. 112 - 129 |
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| Formato: | Artículo |
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Indiana University Press
Spring2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=151306859&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 151306859 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0022281X JML jtl: Journal of Modern Literature issn: 0022281X maglogo: N pubinfo: dt: Spring2021 vid: 44 iid: 3 pid: 211 pub: Indiana University Press artinfo: ui: 151306859 10.2979/jmodelite.44.3.08 ppf: 112 ppct: 17 formats: fmt: – @attributes: type: T – @attributes: type: P size: 805KB tig: atl: Freedom as a Mirage: Sexual Commodification in Harold Pinter's Films. aug: au: Ali, Farah affil: Lahore University of Management Sciences su: Irigaray, Luce, 1932- Masculinity Political participation Pinter, Harold, 1930-2008 Accident (Book) Go-Between, The (Book) Film adaptations sug: subj: Irigaray, Luce, 1932- Masculinity Political participation Pinter, Harold, 1930-2008 Accident (Book) Go-Between, The (Book) Film adaptations keyword: commodification Harold Pinter mimesis patriarchy power sexual ab: Luce Irigaray's mimesis is a political action born out of the recognition that women's position in society is based upon the ideal image of masculinity. It is, thus, a strategy that aims to articulate the specific position of women within the phallocentric culture in order to destabilize the foundations of this culture. Three of Harold Pinter's film adaptations —Accident (1967), The Go-Between (1971), and Betrayal (1983)—portray women in intricate relationships with men; consequently, the women are seen by some critics as liberated, yet ultimately, they are commodified. When it comes to the institution of marriage, Irigaray's mimesis theory together with a broad-spectrum feminist critique, see this "liberation" as a mirage. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Modern Literature is the property of Indiana University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Modern Literature holder: Indiana University Press dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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