Transmedia principles in impressionism spanning painting, music and literature.
This article explores transmedia principles in impressionism spanning painting, music and literature. The introduction focuses on concepts with the suffix-ism in scholarly communication (especially in literary theory and the general theory of art). Applying the concept of intermediality, it is possi...
| Publicado en: | Neohelicon Vol. 48; no. 1; pp. 299 - 313 |
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| Formato: | Artículo |
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Springer Nature
Jun2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=151387715&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 151387715 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03244652 OK8 jtl: Neohelicon issn: 03244652 maglogo: N pubinfo: dt: Jun2021 vid: 48 iid: 1 pid: 237 pub: Springer Nature artinfo: ui: 151387715 10.1007/s11059-020-00558-7 ppf: 299 ppct: 14 formats: fmt: – @attributes: type: T – @attributes: type: P size: 619KB tig: atl: Transmedia principles in impressionism spanning painting, music and literature. aug: au: Novák, Radomil affil: Department of Czech Language and Literature with Didactics, Faculty of Education, University of Ostrava, Fráni Šrámka 3, 709 00, Ostrava, Czech Republic su: Impressionism (Art movement) Scholarly communication Transmedia storytelling Intermediality Individuality sug: subj: Impressionism (Art movement) Scholarly communication Transmedia storytelling Intermediality Individuality keyword: Impressionism Literature Music Painting Transmediality ab: This article explores transmedia principles in impressionism spanning painting, music and literature. The introduction focuses on concepts with the suffix-ism in scholarly communication (especially in literary theory and the general theory of art). Applying the concept of intermediality, it is possible to explore the intersection of all three above-listed arts and to identify, name and systematize stable principles which universally characterize impressionism. Theoreticians of intermediality (I. Rajewsky, W. Wolf) characterize these principles as non-media-specific and migrating, indicating that a particular aesthetic may be applied in different arts. The principles identified in this paper (hic et nunc, transposition, three-dimensionality and imagination, the two-stage reception of impressionist works, equivalent principles in techniques for expressing colour and light, similar genres and themes, and a shared goal–the optical integrity of the world) indicate that impressionism takes a unified noetic approach to reality, and thus these principles can be characterized as transmedia principles. Paradoxically, thanks to these principles, we are aware of the specificity of each of the arts as a distinctive system of signs. Parallel or equivalent structures can thus occur in different arts, accentuating either the visual aspect (painting), the auditive aspect (music), or a combination of both aspects (literature). pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Neohelicon is a copyright of Springer, 2021. All Rights Reserved. item: Neohelicon holder: Springer Nature dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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