'Passionate aesthetics': T-P gender practices and discourses, and the hierarchies within lesbian (lala) communities in contemporary mainland China.

As a masculine-feminine pairing comparable to butch-femme lesbian genders in Euro-American societies, T-P gender roles constitute lively elements in the lesbian, or lala, subculture in contemporary mainland China. Based on an ethnographic study conducted in the mid-2010s in Shanghai and Yunnan Provi...

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Publicado en:Journal of Gender Studies Vol. 30; no. 5; pp. 561 - 573
Autor principal: Wang, Yiran
Formato: Artículo
Publicado: Taylor & Francis Ltd Jul2021
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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      dt: Jul2021
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        10.1080/09589236.2021.1929094
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        atl: 'Passionate aesthetics': T-P gender practices and discourses, and the hierarchies within lesbian (lala) communities in contemporary mainland China.
      aug:
        au: Wang, Yiran
        affil: Department of Anthropology, University of Amsterdam, Amsterdam, The Netherlands
      su:
        Heterosexism
        Lesbians
        Aesthetics
        Gender identity
        Heteronormativity
      sug:
        subj:
          Heterosexism
          Lesbians
          Aesthetics
          Gender identity
          Heteronormativity
      keyword:
        China
        gender
        heteronormativity
        lesbian
        passionate aesthetics
        China
        gender
        heteronormativity
        lesbian
        passionate aesthetics
      ab: As a masculine-feminine pairing comparable to butch-femme lesbian genders in Euro-American societies, T-P gender roles constitute lively elements in the lesbian, or lala, subculture in contemporary mainland China. Based on an ethnographic study conducted in the mid-2010s in Shanghai and Yunnan Province, China, and applying the theoretical framework of 'passionate aesthetics', in this article I investigate discourses and practices relevant to T-P genders. I analyse how hierarchies have been (re)produced inside lala communities, and how, in these processes, (hetero)normative understandings of gender and sexuality have become both sources of knowledge and objects of critique. I argue that multiple and competing passionate aesthetics, including the dominant form of heteronormativity in China and globalized, if not Western, knowledge about gender and sexuality, have entailed three major kinds of hierarchy among lalas: hierarchies among T-P categories, which are paradoxically defined by the notion of 'pureness'; hierarchies in feminist and LGBTQ activist discourses, which trivialize or even silence everyday T-P embodiments; and hierarchies between masculinity and femininity, which encourage diverse practices of female masculinity but still value masculinity over femininity.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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