Re-narrating Non-intervention Policy in China's Military-action Genre Films.
This study examines the cultural representations of Chinese military-action films which re-interpret China's non-intervention policy and give China's foreign engagements rationality and legitimation. It involves two narrative strategies: (1) framing the protection of nationals abroad as the key ince...
| Publicado en: | Journal of Contemporary China Vol. 30; no. 131; pp. 841 - 855 |
|---|---|
| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Sep2021
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=151912643&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 151912643 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 10670564 LCC jtl: Journal of Contemporary China issn: 10670564 maglogo: Y pubinfo: dt: Sep2021 vid: 30 iid: 131 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 151912643 10.1080/10670564.2021.1884963 ppf: 841 ppct: 14 formats: fmt: – @attributes: type: T db: hlh ui: 151912643 – @attributes: type: P db: hlh ui: 151912643 tig: atl: Re-narrating Non-intervention Policy in China's Military-action Genre Films. aug: au: Guan, Tianru Hu, Tingting affil: Wuhan University, China su: China Motion pictures Narcissism Nationalism International economic relations Film genres Mass media genres sug: subj: Motion pictures Narcissism Nationalism International economic relations China International assistance Motion Picture and Video Production Film genres Mass media genres ab: This study examines the cultural representations of Chinese military-action films which re-interpret China's non-intervention policy and give China's foreign engagements rationality and legitimation. It involves two narrative strategies: (1) framing the protection of nationals abroad as the key incentive behind China's military actions; and (2) emphasizing an unquestioning commitment to sovereignty, to UN authorization, and to the consent of host countries during the intervening process.Then, it points out the propagandistic features of China's military-action films: framing the outside world as a threatening place in which individuals' survival depends on the protection of a powerful nation; cultivating collective narcissism and nationalism; and reframing China's global economic expansion through a"friendship narrative". pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
|---|