Sounds like 'home': The synchrony and dissonance of podcasting as boundary object.

Working at the intersection of migration studies and radio studies, we interrogate podcasting's potential as a practice-based activist research method. This article documents podcasting's role in an ethnographic project conducted together with Konstkupan (The Art Hive), a migrant-focused community a...

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Publicado en:Radio Journal: International Studies in Broadcast & Audio Media Vol. 19; no. 1; pp. 117 - 137
Autores principales: Cory, Erin, Boothby, Hugo
Formato: Artículo
Publicado: Intellect Ltd. Apr2021
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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          Cory, Erin
          Boothby, Hugo
        affil: Malmö University
      su:
        Malmö (Sweden)
        Art & society
        Social processes
        Translating & interpreting
        Podcasting
        Synchronic order
        Radio audiences
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          Art & society
          Social processes
          Translating & interpreting
          Malmö (Sweden)
          Translation and Interpretation Services
          Internet Publishing and Broadcasting and Web Search Portals
          Podcasting
          Synchronic order
          Radio audiences
      keyword:
        boundary object
        ethno-mimesis
        ethnography
        listening
        migration
        podcasting
        boundary object
        ethno-mimesis
        ethnography
        listening
        migration
        podcasting
      ab: Working at the intersection of migration studies and radio studies, we interrogate podcasting's potential as a practice-based activist research method. This article documents podcasting's role in an ethnographic project conducted together with Konstkupan (The Art Hive), a migrant-focused community arts space in Malmö, Sweden. We argue that the value of podcasting as a practice-based research method exists in its potential to function as a boundary object. Boundary objects are technologies and processes bridging social worlds and providing sites of communication and translation between groups. Challenging narratives that detect a decline in podcasting's radical potential, we argue that as a boundary object, podcasting's political significance continues in how it convenes small, diverse, but attentive 'listening publics'. A boundary object does not demand consensus on the meanings or representations it produces, affording space for both the synchrony and dissonance of narratives produced by migrants.
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