MAILER AND CONRAD: PART ONE--TRADITION AND NARRATIVE.

The intersection of Mailer and Conrad appears elusive. Is Polish-born Conrad part of an English literary tradition, as F. R. Leavis has argued? So it would seem. Spanning the th and th centuries, Conrad is an English modernist, helping to create "the modern sensibility" (Meyers). In Lord Jim (...

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Publicado en:Mailer Review Vol. 14; no. 1; pp. 100 - 123
Autor principal: VINCE, RAYMOND M.
Formato: Artículo
Publicado: Norman Mailer Society Fall2020
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Acceso en línea:Ver este registro en EBSCOhost
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Sumario:The intersection of Mailer and Conrad appears elusive. Is Polish-born Conrad part of an English literary tradition, as F. R. Leavis has argued? So it would seem. Spanning the th and th centuries, Conrad is an English modernist, helping to create "the modern sensibility" (Meyers). In Lord Jim (), Conrad creates Charlie Marlow, a complex narrator telling his tale through multiple voices, using a profusion of words to reveal the inadequacy of language, set in the matrix of time itself. Marlow believes that Jim, despite a fall of biblical proportions, is "one of us." The phrase encapsulates loneliness (the one) and the search for solidarity (us). Lord Jim is a geographical and epistemological odyssey: unlike Odysseus, Jim can never return home. How do themes of tradition and narrative relate to Mailer? While there are interesting parallels, Mailer operates largely in a different universe of discourse. Yet, in complementary ways, both writers appear very relevant to the dilemmas of our age.