Concept and Context: A Historiographic Consideration of Lachenmann's Orchestral Works.

Orchestral music has occupied a central position in Lachenmann's work. Although one can divide these works into distinct periods, there is a consistency of purpose and style that runs through them. Nevertheless, it is argued here that certain consistent features acquire different significances, depe...

Descripción completa

Detalles Bibliográficos
Publicado en:Contemporary Music Review Vol. 23; no. 3/4; pp. 125 - 144
Autor principal: Toop, Richard
Formato: Artículo
Publicado: Taylor & Francis Ltd 2004
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=15219016&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 15219016
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        07494467
        7VR
      jtl: Contemporary Music Review
      issn: 07494467
      maglogo: N
    pubinfo:
      dt: 2004
      vid: 23
      iid: 3/4
      pid: 377
      pub: Taylor & Francis Ltd
    artinfo:
      ui:
        15219016
        10.1080/0749446042000293501
      ppf: 125
      ppct: 19
      formats:
        fmt:
          @attributes:
            type: P
            size: 124KB
      tig:
        atl: Concept and Context: A Historiographic Consideration of Lachenmann's Orchestral Works.
      aug:
        au: Toop, Richard
      su:
        Orchestral music
        Instrumental music
        Musical composition
        Lachenmann, Helmut
        Composers
      sug:
        subj:
          Orchestral music
          Instrumental music
          Musical composition
          Lachenmann, Helmut
          Composers
      keyword:
        Analysis
        Context
        History
        Orchestra
      ab: Orchestral music has occupied a central position in Lachenmann's work. Although one can divide these works into distinct periods, there is a consistency of purpose and style that runs through them. Nevertheless, it is argued here that certain consistent features acquire different significances, depending on the general context of European new music at the time. To this end, the works are placed in a broader compositional context than that of Lachenmann's own output.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Contemporary Music Review
      holder: Taylor & Francis Ltd
      dt:
        @attributes:
          year: 2004
    holdings:
      @attributes:
        islocal: N