Beat Machine: Embracing the Creative Limitations and Opportunities of Low-Cost Computers.
The Beat Machine is a handheld music synthesizer and sequencer. The authors discuss the development of the Beat Machine and how creative constraints and opportunities were introduced by the particularities of low-cost microprocessors and associated electronics. The discussion is framed as an exempla...
| Publicado en: | Leonardo Music Journal Vol. 30; pp. 8 - 14 |
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| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
MIT Press
Dec2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=152248405&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 152248405 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2020 vid: 30 pid: 776 pub: MIT Press artinfo: ui: 152248405 10.1162/lmj_a_01087 ppf: 8 ppct: 6 formats: fmt: @attributes: type: P size: 6.2MB tig: atl: Beat Machine: Embracing the Creative Limitations and Opportunities of Low-Cost Computers. aug: au: Brown, Andrew R. Ferguson, John R. affil: Andrew R. Brown (artist, researcher, educator), Queensland College of Art, Griffith University, 226 Grey Street, South Brisbane, QLD 4101, Australia. ANDREW R. BROWN is a professor of digital arts at Griffith University in Brisbane, Australia. John R. Ferguson (artist, researcher, educator), Queensland Conservatorium, Griffith University, 140 Grey Street, South Brisbane, QLD 4101, Australia. JOHN R. FERGUSON is head of Creative Music Technology at Griffith University in Brisbane. su: Synthesizer (Musical instrument) Rapid prototyping Digital media Machinery Microprocessors Computers sug: subj: Synthesizer (Musical instrument) Rapid prototyping Digital media Machinery Microprocessors Computers ab: The Beat Machine is a handheld music synthesizer and sequencer. The authors discuss the development of the Beat Machine and how creative constraints and opportunities were introduced by the particularities of low-cost microprocessors and associated electronics. The discussion is framed as an exemplar of Kåre Poulsgaard's concept of enactive individuation, a framework for relating material engagement to digital design and fabrication. In reflecting on the design and making of the Beat Machine the authors connect this framework with more established notions of creative interaction and the affordances of digital media. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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