Exploring the Nexus of Holography and Holophony in Visual Music Composition.
In this article the author explores the idea that, owing to their shared three-dimensional nature, holophons and virtual holograms are well suited as mediums for visual music composition. This union is ripe with creative opportunity and fraught with challenges in the areas of aesthetics and technica...
| Publicado en: | Leonardo Music Journal Vol. 30; pp. 61 - 68 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
MIT Press
Dec2020
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=152248411&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 152248411 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2020 vid: 30 pid: 776 pub: MIT Press artinfo: ui: 152248411 10.1162/lmj_a_01093 ppf: 61 ppct: 7 formats: fmt: @attributes: type: P size: 6.5MB tig: atl: Exploring the Nexus of Holography and Holophony in Visual Music Composition. aug: au: Rhoades, Michael affil: Michael Rhoades (artist, composer, computer scientist, researcher), Virginia Tech, Blacksburg, VA 24061, U.S.A. MICHAEL RHOADES is a doctoral candidate in the interdisciplinary PhD program at Virginia Tech conducting research and practice in the areas of holophony, holography and supercomputing. His defense and graduation are scheduled for the fall of 2020. su: Musical composition Holography Head-mounted displays Projection screens Hemorrhage Loudspeakers sug: subj: Musical composition Holography Head-mounted displays Projection screens Hemorrhage Loudspeakers ab: In this article the author explores the idea that, owing to their shared three-dimensional nature, holophons and virtual holograms are well suited as mediums for visual music composition. This union is ripe with creative opportunity and fraught with challenges in the areas of aesthetics and technical implementation. Squarely situated upon the bleeding edge of phenomenological research and creative practice, this novel medium is within reach. Here, one methodological pipeline is delineated that employs the convergence of holophony, virtual holography and supercomputing toward the creation of visual music compositions intended for head-mounted displays or large-scale 3D/360-degree projection screens and high-density loudspeaker arrays. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
|---|