Carnivalizing Imoinda's Silence.

In this essay, I analyze Joan Anim-Addo's libretto Imoinda, or She Who Will Lose Her Name (2008) and illustrate how its narrative poetry generates a speculative, gendered history around the slave past. Informed by Srinivas Aravamudan's observation of parodic subversion in the afterlives of Aphra Beh...

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Detalles Bibliográficos
Publicado en:Eighteenth Century Fiction Vol. 34; no. 1; pp. 61 - 87
Autor principal: Huang, Kristina
Formato: Artículo
Publicado: University of Toronto Press Fall2021
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Acceso en línea:Ver este registro en EBSCOhost