Carnivalizing Imoinda's Silence.
In this essay, I analyze Joan Anim-Addo's libretto Imoinda, or She Who Will Lose Her Name (2008) and illustrate how its narrative poetry generates a speculative, gendered history around the slave past. Informed by Srinivas Aravamudan's observation of parodic subversion in the afterlives of Aphra Beh...
| Publicado en: | Eighteenth Century Fiction Vol. 34; no. 1; pp. 61 - 87 |
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| Formato: | Artículo |
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University of Toronto Press
Fall2021
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| Acceso en línea: | Ver este registro en EBSCOhost |