No maps for these territories: exploring philosophy of memory through photography.
I begin by examining perception of photographs from two directions: what we think photographs are, and the aspects of mind involved when viewing photographs. Traditional photographs are shown to be mnemonic tools, and memory identified as a key part of the process by which photographs are fully perc...
| Publicado en: | Revista Estudios de Filosofía no. 64; pp. 47 - 72 |
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| Formato: | Artículo |
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Universidad de Antioquia, Instituto de Filosofia
jul-dic2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=152644295&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 152644295 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01213628 8WTD jtl: Revista Estudios de Filosofía issn: 01213628 maglogo: N pubinfo: dt: jul-dic2021 iid: 64 pid: 62552 pub: Universidad de Antioquia, Instituto de Filosofia artinfo: ui: 152644295 10.17533/udea.ef.n64a03 ppf: 47 ppct: 25 formats: fmt: @attributes: type: P size: 2.3MB tig: atl: No maps for these territories: exploring philosophy of memory through photography. aug: au: Kirby, Alun affil: York, United Kingdom su: Collective memory Sensory perception Photography Episodic memory Self sug: subj: Collective memory Sensory perception Photography Episodic memory Self keyword: art arte cultural memory fotografía memoria memoria cultural memory percepción perception photography arte fotografía memoria memoria cultural percepción ab: I begin by examining perception of photographs from two directions: what we think photographs are, and the aspects of mind involved when viewing photographs. Traditional photographs are shown to be mnemonic tools, and memory identified as a key part of the process by which photographs are fully perceived. Second, I describe the metamorphogram; a non-traditional photograph which fits specific, author-defined criteria for being memory. The metamorphogram is shown to be analogous to a composite of all an individual's episodic memories. Finally, using the metamorphogram in artistic works suggests a bi-directional relationship between individual autobiographical memory and shared cultural memory. A model of this relationship fails to align with existing definitions of cultural memory, and may represent a new form: sociobiographical memory. I propose that the experiences documented here make the case for promoting a mutually beneficial relationship between philosophy and other creative disciplines, including photography. Al inicio se examina la percepción de las fotografías desde dos direcciones: qué pensamos que son las fotografías y los aspectos de la mente involucrados al ver fotografías. Se muestra que las fotografías tradicionales son herramientas mnemónicas: por ello, la memoria es una parte clave del proceso mediante el cual las fotografías se perciben por completo. En segundo lugar, describo el metamorfograma; una fotografía no tradicional que se ajusta a criterios específicos definidos por el autor para ser memoria. Se muestra que el metamorfograma es análogo a una combinación de todos los recuerdos episódicos de un individuo. Finalmente, el uso del metamorfograma en obras artísticas sugiere una relación bidireccional entre la memoria autobiográfica individual y la memoria cultural compartida. Un modelo de esta relación no se alinea con las definiciones existentes de memoria cultural y puede representar una nueva forma: la memoria sociobiográfica. Propongo que las experiencias aquí documentadas justifican la promoción de una relación mutuamente beneficiosa entre la filosofía y otras disciplinas creativas, incluida la fotografía. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Revista Estudios de Filosofía is the property of Universidad de Antioquia, Instituto de Filosofia and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Revista Estudios de Filosofía holder: Universidad de Antioquia, Instituto de Filosofia dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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