The Cinematic Sublime: Negative Pleasures, Structuring Absences: NATHAN CARROLL (ed), 2020 Bristol & Chicago, Intellect pp. ix + 201, bibliography, index, £80 (hardback).

Herzog is fascinated by Longinus' invocation of the concept of ecstasy, seeing the artistic possibilities of the sublime in creating the experience of "ecstatic truth", through which we can elevate ourselves above nature. Rediscovered in the 17 SP th sp century, Longinus has influenced cinema by ins...

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Publicado en:Historical Journal of Film, Radio & Television Vol. 41; no. 3; pp. 622 - 625
Autor principal: Culleton, Brendan
Formato: Book Review
Publicado: Taylor & Francis Ltd September 2021
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Cinematic Sublime: Negative Pleasures, Structuring Absences: NATHAN CARROLL (ed), 2020 Bristol & Chicago, Intellect pp. ix + 201, bibliography, index, £80 (hardback).
      aug:
        au: Culleton, Brendan
        affil: National Film School IADT
      su:
        Intellect
        Celebrities
        Bibliography
        Pleasure
        Digital cinematography
        Film studies
        Chicago (Ill.)
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          Chicago (Ill.)
          Intellect
          Celebrities
          Bibliography
          Pleasure
          Digital cinematography
          Film studies
      ab: Herzog is fascinated by Longinus' invocation of the concept of ecstasy, seeing the artistic possibilities of the sublime in creating the experience of "ecstatic truth", through which we can elevate ourselves above nature. Rediscovered in the 17 SP th sp century, Longinus has influenced cinema by inspiring at least one modern filmmaker: director Werner Herzog considers Longinus as a friend. It follows then that filmmakers and theorists might find it beneficial to follow Herzog and know something of the philosophical and aesthetic concepts around the sublime.
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