"We Couldn't Do That Even if We Wanted To": Family and Natality in Veep and House of Cards (US).

Veep (2012–19) and House of Cards (2013–18), as political fictions and adaptations of UK series, provide an opportunity to consider the political significance and thematic mode of Martin Shuster's "new television" within the specific contexts of both American politics and television. In these series...

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Publicado en:Canadian Review of American Studies Vol. 51; no. 3; pp. 308 - 324
Autor principal: Wales, Mason
Formato: Film/TV Criticism and Review
Publicado: University of Toronto Press Winter2021
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: "We Couldn't Do That Even if We Wanted To": Family and Natality in Veep and House of Cards (US).
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        au: Wales, Mason
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        Veep (TV program)
        House of Cards (TV program : United States)
        Politics on television
        Families on television
        American political fiction
        Television
        Television programs
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          Veep (TV program)
          House of Cards (TV program : United States)
          Politics on television
          Families on television
          American political fiction
          Television
          Television programs
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        family
        natality
        new television
        politics
        US political fiction
        famille
        fiction politique américaine
        natalité
        nouvelle télévision
        politique
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        Veep (2012–19) and House of Cards (2013–18), as political fictions and adaptations of UK series, provide an opportunity to consider the political significance and thematic mode of Martin Shuster's "new television" within the specific contexts of both American politics and television. In these series' invocations of the family, they challenge the idea that, as the sole remaining grounds for normative justification, family lies outside the vortex of late capitalism. In deploying the motif of natality, they foreground the figure of the pregnant woman complicating the supposed relation between natality, politics, and the political. In so doing, these series suggest that we cannot, through natality incubated in the family, "conceive of politics differently" without addressing politics as it is.
        Veep (2012–2019) et House of Cards (2013–2018), en tant que fictions politiques et adaptations de séries britanniques, offrent une occasion de considérer la signification politique et le mode thématique de la « nouvelle télévision » de Martin Shuster dans les contextes spécifiques de la politique américaine et de la télévision. Dans les invocations de la famille dans ces séries, elles remettent en question l'idée que, en tant que seule base restante de justification normative, la famille se trouve à l'extérieur du vortex du capitalisme tardif. En déployant le motif de natalité, elles mettent de l'avant la figure de la femme enceinte, ce qui complique la prétendue relation entre la natalité, la politique et le politique. Ce faisant, ces séries suggèrent que nous ne pouvons pas, par l'entremise de la natalité incubée dans la famille, « concevoir différemment de la politique » sans adresser la politique telle qu'elle est.
      pubtype: Academic Journal
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