俄耳甫斯祷歌中的黑夜和宇宙起源传统.
The Orphic Hymns came into being in the early Roman Imperial age, but their mythological genealogy and verbal style inherited the ancient Greek traditions, namely, relying heavily on the citations from Hesiod and Homer while maintaining certain typical features of the orphic theogonies. Within the t...
| Publicado en: | Foreign Literature Studies Vol. 43; no. 5; pp. 152 - 165 |
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| Formato: | Artículo |
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Foreign Literature Studies
Oct2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=153340480&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 153340480 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10037519 1VPS jtl: Foreign Literature Studies issn: 10037519 maglogo: N pubinfo: dt: Oct2021 vid: 43 iid: 5 pid: 27682 pub: Foreign Literature Studies artinfo: ui: 153340480 ppf: 152 ppct: 13 formats: tig: atl: 俄耳甫斯祷歌中的黑夜和宇宙起源传统. aug: au: Wu Yaling affil: Research professor at the Shanghai Academy of Social Sciences (Shanghai 200020, China) sug: keyword: Greek cosmogony Greek theogony Night(Nyx) Orphic Hymns ab: The Orphic Hymns came into being in the early Roman Imperial age, but their mythological genealogy and verbal style inherited the ancient Greek traditions, namely, relying heavily on the citations from Hesiod and Homer while maintaining certain typical features of the orphic theogonies. Within the three major traditions of the Greek mythology, Homer and Hesiod regarded respectively Oceanus and Gaia as the ancestor of the Olympian gods, whereas the orphic eudemian theogony saw the goddess of the night (Nyx) as the origin of all gods. The image of Nyx in the orphic hymns carries the characteristics of both the creator deity and the city-state patron deity. Nyx is the primordial goddess in the narrative of cosmogony, and plays an indispensable role in the theocratic myths as well. The fact that Nyx is presented in these hymns in a hybrid of multiple mythological genealogies, the assimilation to several other deities, and a mixed use of the epithets demonstrates how the anonymous author of the orphic hymns understood the tradition and innovation in Hellenistic poetry, and strove to integrate diverse religious influences and philosophical trends during the early period of the Roman Empire. pubtype: Academic Journal doctype: Article src: R language: Chinese refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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