Why robots can't haka: skilled performance and embodied knowledge in the Māori haka.

To investigate the unique kinds of mentality involved in skilled performance, this paper explores the performance ecology of the Māori haka, a ritual form of song and dance of the indigenous people of Aotearoa New Zealand. We respond to a recent proposal to program robots to perform a haka as 'cultu...

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Published in:Synthese Vol. 199; no. 1/2; pp. 4337 - 4366
Main Authors: Mingon, McArthur, Sutton, John
Format: Article
Published: Springer Nature Dec2021
Subjects:
Online Access:View this record in EBSCOhost
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        10.1007/s11229-020-02981-w
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        atl: Why robots can't haka: skilled performance and embodied knowledge in the Māori haka.
      aug:
        au:
          Mingon, McArthur
          Sutton, John
        affil: Department of Cognitive Science, Macquarie University, Level 3, Australian Hearing Hub, 16 University Ave, 2109, Sydney, NSW, Australia
      su:
        Maori (New Zealand people)
        Robots
        Emotions
        Environmental history
        European history
      sug:
        subj:
          Maori (New Zealand people)
          Robots
          Emotions
          Environmental history
          European history
      keyword:
        Distributed affect
        Embodied cognition
        Indigenous psychology
        Synchrony
      ab: To investigate the unique kinds of mentality involved in skilled performance, this paper explores the performance ecology of the Māori haka, a ritual form of song and dance of the indigenous people of Aotearoa New Zealand. We respond to a recent proposal to program robots to perform a haka as 'cultural preservationists' for 'intangible cultural heritage'. This 'Robot Māori Haka' proposal raises questions about the nature of skill and the transmission of embodied knowledge; about the cognitive and affective experiences cultivated in indigenous practices like haka; and about the role of robots in the archival aspirations of human societies. Reproducing haka, we suggest, requires more than copying physical actions; preserving the 'intangible' entails more than programming postures and movements. To make this case, we discuss the history of European responses to the haka, and analyse its diverse performance features in cultural context. Arguing that indigenous movement practices incorporate genuinely embodied knowledge, we claim that skilled performance of haka is deeply mindful, embodying and transmitting dynamic, culturally shared understandings of the natural and social world. The indigenous psychologies incorporated in haka performance are animated by a shared history integrated with its environment. Examining haka performance through the lens of 4E cognitive skill theory for mutual benefit, we discuss the effects of synchrony in collective action, the social and environmental scaffolding of affect and emotion, and the multilayered relations between past and present. Culturally-embedded systems of skilled movement like the Māori haka may, we suggest, constitute specific ways of thinking and feeling.
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    language: English
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