Multiple-Music Versions?: A German Sound Film-Operetta and Its Versions for France and Italy.

With the advent of sound film in the early 1930s the German film industry produced so-called multiple-language versions as a part of its internationalisation strategy. These versions were produced for the French, English, and Italian markets (often) with a new cast of actors. Despite the importance...

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Publicado en:Music, Sound & the Moving Image Vol. 15; no. 2; pp. 133 - 166
Autor principal: ZECHNER, INGEBORG
Formato: Artículo
Publicado: Liverpool University Press / Journals Winter2021
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Acceso en línea:Ver este registro en EBSCOhost