Verbal art across language and culture: poetry as music.
The following proposal for research begins with the observation that in specific contexts of performance poetic language appears to allow for varying degrees of access across language boundaries. This cross-language access, if it can be verified empirically, might be attributed to distinguishing fea...
| Publicado en: | Neohelicon Vol. 48; no. 2; pp. 539 - 553 |
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| Formato: | Artículo |
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Springer Nature
Dec2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=153996660&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 153996660 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03244652 OK8 jtl: Neohelicon issn: 03244652 maglogo: N pubinfo: dt: Dec2021 vid: 48 iid: 2 pid: 237 pub: Springer Nature artinfo: ui: 153996660 10.1007/s11059-021-00592-z ppf: 539 ppct: 14 formats: fmt: @attributes: type: P size: 599KB tig: atl: Verbal art across language and culture: poetry as music. aug: au: Francis, Norbert affil: College of Education, Northern Arizona University, PO Box 5774, 86011, Flagstaff, AZ, USA su: Bilingualism Hip-hop culture Tonality Popular culture Cross-cultural studies sug: subj: Bilingualism Hip-hop culture Tonality Popular culture Cross-cultural studies keyword: Cross-cultural poetics Hip-hop Oral tradition ab: The following proposal for research begins with the observation that in specific contexts of performance poetic language appears to allow for varying degrees of access across language boundaries. This cross-language access, if it can be verified empirically, might be attributed to distinguishing features that differentiate poetic from prosaic discourse, on the one hand, and from musical structure on the other, an important problem in its own right. To approach this research question it is recommended to begin with poetic works as they are performed for a listening audience and to prioritize, at the beginning of the research project, composition and performance from the popular culture, broadly defined, and from the traditional genres of the oral tradition. Another point of reference for this discussion, which follows from the above recommended approach, is the Lerdahl-Jackendoff proposal of analyzing poetry as a kind of musical form. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Neohelicon is a copyright of Springer, 2021. All Rights Reserved. item: Neohelicon holder: Springer Nature dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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