Hidden in a European Bestseller: The Quadragesimale of Gritsch/Grütsch and the Reception of Dante's Commedia in Sermons.

The article investigates the presence of Dante in a sermon of the Quadragesimale printed under the name of Johannes Gritsch, one of the main sermon bestsellers in late medieval Europe. Albeit quite in plain sight, this text that translates into Latin and comments extensively on Paradiso 33. 1–9 has...

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Published in:Medieval Sermon Studies Vol. 65; no. 1; pp. 34 - 62
Main Author: Delcorno, Pietro
Format: Article
Published: Taylor & Francis Ltd Oct 2021
Subjects:
Online Access:View this record in EBSCOhost
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        10.1080/13660691.2021.1992893
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        atl: Hidden in a European Bestseller: The Quadragesimale of Gritsch/Grütsch and the Reception of Dante's Commedia in Sermons.
      aug:
        au: Delcorno, Pietro
        affil: Radboud University, Nijmegen
      su:
        Dante Alighieri, 1265-1321
        Best sellers
        Clergy
        Preaching
        Lent
        Italy
      sug:
        subj:
          Italy
          Dante Alighieri, 1265-1321
          Best sellers
          Clergy
          Preaching
          Lent
      keyword:
        Commedia
        Dante
        Germany
        Lenten sermon collection
        Manuscripts
        Printed books
        Translation
      ab: The article investigates the presence of Dante in a sermon of the Quadragesimale printed under the name of Johannes Gritsch, one of the main sermon bestsellers in late medieval Europe. Albeit quite in plain sight, this text that translates into Latin and comments extensively on Paradiso 33. 1–9 has been completely overlooked by sermon and Dante scholars. By analysing this Dantean passage and by contextualizing it within the Quadragesimale, the article underlines its relevance within the broader phenomenon of the use of the Commedia in late medieval preaching in and outside Italy. On this latter aspect, the sermon under investigation is a game changer. While a few German preachers who used sermons composed in Italy that included references to Dante were already known, this time we encounter a German Franciscan friar who, when composing sermons meant first and foremost for a German audience, engaged with a passage of the Commedia. He did so probably knowing nothing about Dante, perhaps not even his name. As a result, mediated by preachers and detached from its original cultural context, a fragment of the Commedia found its way on a prodigious journey across Europe.
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    language: English
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      custom: Copyright of Medieval Sermon Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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