Gavin Douglas's 'Ioyous discipline' in The Palice of Honour.
The narrator of Gavin Douglas's The Palice of Honour , though he lacks inquisitiveness about almost everything he encounters, slowly recognises and participates in the process of being groomed to become a talented maker of verses. The most explicit signs of his progress are the seven inset poems tha...
| Publicado en: | Scottish Literary Review Vol. 13; no. 2; pp. 1 - 31 |
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| Formato: | Artículo |
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Association for Scottish Literary Studies
Autumn/Winter2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=154121144&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 154121144 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 17565634 8ZN7 jtl: Scottish Literary Review issn: 17565634 maglogo: N pubinfo: dt: Autumn/Winter2021 vid: 13 iid: 2 pid: 12655 pub: Association for Scottish Literary Studies artinfo: ui: 154121144 ppf: 1 ppct: 30 formats: fmt: – @attributes: type: T – @attributes: type: P size: 452KB tig: atl: Gavin Douglas's 'Ioyous discipline' in The Palice of Honour. aug: au: Klemp, P. J. affil: University of Wisconsin, Oshkosh, USA su: Douglas, Gavin Medieval poetry Invocation Introspection King, Pamela M. sug: subj: Douglas, Gavin Medieval poetry Invocation Introspection King, Pamela M. keyword: dream poems Gavin Douglas inset poems medieval poetry self-reflexive writing The Palice of Honour Virgil ab: The narrator of Gavin Douglas's The Palice of Honour , though he lacks inquisitiveness about almost everything he encounters, slowly recognises and participates in the process of being groomed to become a talented maker of verses. The most explicit signs of his progress are the seven inset poems that he creates during his journey. Scholars have not addressed how the Palice 's inset poems, which range from stale and conventional complaints about love and fortune to an invocation and finally to a profoundly moving hymn, are shaped through tests administered by Venus and the Nymph. The narrator's dream vision and waking experience document his artistic progress, sometimes stumbling and ill-timed but sometimes sure-footed, as he gains artistic confidence and skill. During his 'trauaill', the seven inset poems he composes trace his apprenticeship as he prepares to 'follow the poete principall', Virgil. Each inset poem is highlighted in at least one way, such as rhyme schemes, refrains, and thematic and generic signals. Taken as a group, they illustrate the narrator's growing awareness of the connection between reflection on his craft and development as a poet. He becomes more competent as a maker by emphasising the inset poems' metapoetic texture and themes. Pamela M. King identifies a metapoetic text as self-reflexive writing that features 'aesthetic introspection', 'autoreferential techniques', and 'self-conscious artifice'. Characteristic strategies of medieval dream poems, these are all used extensively by the narrator – the Palice 's protagonist and inventor – in his inset poems. Venus's and Calliope's challenges, along with the knowledge he gains from the Nymph and 'the Court Rethoricall', encourage his artistic reflection. With their assistance, the narrator develops from a novice to an accomplished poet whose journey is a declaration about a successful apprenticeship that will culminate in the Eneados , 'in the langage of Scottis natioun'. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Scottish Literary Review is the property of Association for Scottish Literary Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Scottish Literary Review holder: Association for Scottish Literary Studies dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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