CHALLENGING THE ROMA STRUCTURAL DISCRIMINATION: DETERRITORIALIZATION PRACTICES IN ROMANIAN CINEMA.

This paper examines the cinematographic reworking of memory spaces associated with power relations and structural injustice. The way in which space is represented and used as a medium that reflects power relations allows to question the space itself in cultural productions from Central-Eastern Europ...

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Publicado en:Metacritic Journal for Comparative Studies & Theory Vol. 7; no. 2; pp. 46 - 69
Autor principal: MITROIU, Simona
Formato: Artículo
Publicado: Babes-Bolyai University of Cluj, Faculty of Letters Dec2021
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Acceso en línea:Ver este registro en EBSCOhost
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      dt: Dec2021
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      pub: Babes-Bolyai University of Cluj, Faculty of Letters
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        154234961
        10.24193/mjcst.2021.12.03
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        atl: CHALLENGING THE ROMA STRUCTURAL DISCRIMINATION: DETERRITORIALIZATION PRACTICES IN ROMANIAN CINEMA.
      aug:
        au: MITROIU, Simona
        affil: Institute of Interdisciplinary Research, "Alexandru Ioan Cuza" University of Iași Iași, Romania
      su:
        Equality
        Short films
        Romanies
        Western films
        Cultural activism
        Romania
        Eastern Europe
      sug:
        subj:
          Romania
          Eastern Europe
          Equality
          Short films
          Romanies
          Western films
          Cultural activism
      keyword:
        decolonial stance
        intersectionality
        Roma
        Romanian cinematographic representations
        structural injustice
        territoriality
      ab: This paper examines the cinematographic reworking of memory spaces associated with power relations and structural injustice. The way in which space is represented and used as a medium that reflects power relations allows to question the space itself in cultural productions from Central-Eastern Europe when associated with Romani people (space and power relations, memory of slavery and discrimination, space and freedom, territoriality, space and its inhabitants, non-belonging, segregation, etc.). The paper focuses on motion pictures produced in the last decade in Romania, a prolific period due to the increasing interest for memory activism and to the multiplication of the cultural exploration of challenging topics. It aims to identify narrative, visual, and aesthetic expressions used as deterritorialization practices to stimulate relational remembrance and engagement with ongoing social inequality and structural injustice. Two short films - Alina Șerban' s Bilet de iertare (Letter of forgiveness) and Adrian Silișteanu's Scris/Nescris (Written/Unwritten) - and a western type film - Radu Jude's Aferim!, winner of the Silver Bear for Best director at Berlinale in 2015, are analysed here.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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      holder: Babes-Bolyai University of Cluj, Faculty of Letters
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